LITURGY MATTERS: Don’t forget to sing!

"One cannot find anything more religious and more joyful in sacred celebrations than a whole congregation expressing its faith and devotion in song". (Musicam Sacram, 1967, n.16).
With the Chrism Mass fast approaching – 15 April – just next week, I thought I would write about what I hear people say about this wonderful celebration in our diocesan community.
8 April, 2025
By Fiona Duque Catholic Life

When asked, many people highlight the music and singing at this Mass as the thing they remember the most. That is not to say they don’t appreciate the rest of the elements of the liturgy, it is just that music is a language that connects us all. I, myself, often leave Mass with an earworm of one the hymns sung. Why is singing so important to connect us with an experience?

Following on from last week’s article Music and memories, singing in groups, such as in choirs, has been the focus of extensive research in psychology and neuroscience due to its profound effects on wellbeing. Studies suggest that singing with others such as in a choir fosters social cohesion, enhances mood regulation, and reduces stress. Moreover, singing with choirs has been linked to improvements in cognitive function, memory, and emotional resilience. It creates a shared experience that strengthens interpersonal connections and reinforces a sense of belonging within a community. On a side note, physiologically, group singing may contribute to cardiovascular health, reducing blood pressure and enhancing respiratory efficiency.

Singing is deeply rooted in human expression, transcending mere performance, and it’s not about flawless execution but about the act of sharing. Many cultures view singing as communal rather than performative—an act of shared storytelling, celebration, and emotional expression is where the beauty of singing lies. Important to note that singing at Mass should never be a performance. Singing carries emotion, history, and connection, serving as a bridge between individuals and communities. It’s a gift, passed between all those who sing together. Whether it’s the lullaby that calms a restless child, the anthem that unites a nation, or the choir harmonizing in a sacred space such as our cathedral, singing has the power to anchor us in the present while honouring the past, forging bonds and evoking collective emotions, shaping culture and personal experiences alike.

Unfortunately, though, singing is too often treated as a skill, a fixed attribute that someone was born with, rather than a learned ability. The idea that musical talent is reserved for a select few has long been challenged by educators, researchers, and musicians who emphasize the role of training, practice, and environment in developing musical ability. For example, Dr. Shinichi Suzuki’s philosophy of talent development, particularly in music, beautifully mirrors how humans acquire language—through immersion, repetition, and encouragement. He removed the misconception that only the “naturally gifted” can succeed in music, and empowered countless learners to develop their skills with patience and support.

Imagine the difference between a child told they “can’t sing” versus one who is encouraged to explore their voice. The former may shy away from ever trying again, while the latter gains the courage to practice, improve, and express themselves. This support and encouragement foster resilience, creativity, and joy. It reminds us that mistakes are part of learning, and that perseverance leads to growth. Shifting the perspective from “talent” to “ability” opens doors for people to rediscover their voices without fear of judgment.

Just as a child learns to speak by listening, imitating, and refining over time, singing follows a similar path. Vocal control, pitch accuracy, and tonal warmth are all trainable aspects rather than innate gifts. As with learning a physical musical instrument, I guarantee you that a child isn’t born just knowing how to play the violin, piano, oboe, drum kit, guitar and so on.

And so here we are, about to come together to celebrate the Chrism Mass. A time to bring a little light to Holy Week. With Holy Week being a deeply significant time for our Church, with each day carrying profound meaning. From Palm Sunday, when Jesus entered Jerusalem, to the evening of Holy Thursday. Many observe this period with prayer, fasting, and reflection.

However, on Tuesday night, 15 April, at 7.00pm in the Sacred Heart Cathedral when the people are gathered, we will celebrate the blessing and consecrating of the sacred oils —Chrism, the Oil of Catechumens, and the Oil of the Sick—a reminder of how deeply the sacraments touch every stage of a Christian’s life. The unity of priests with their bishop in this Mass also highlights the strength of the Church’s mission and ministry. And the ‘little light’ that shines clearly is the way singing at this Mass draws the assembly in and opens hearts to a enable full, conscious and active participation.

Ultimately the hope is that music can be a powerful way to unite the faithful and draw them deeper into the mysteries of our faith. When woven into the fabric of Church life, it reinforces worship, fosters community, and strengthens and leads people into the mission of spreading the Gospel.

So come, join in the singing, “be strong and courageous; do not be frightened or dismayed, for the Lord your God is with you wherever you go” (Josh 1:9), add your voice to choirs of angels and be filled with joy.